"Jolene" Limited edition Prints hand signed by the artist
All Print sales of Jolene to benefit Ukraine. www.Weareallukrainian.de
Limited Edition (1000) Hand signed by the artist Print. "Jolene" depicts a young girl with Auburn hair and eyes of emerald green engrossed in her idol onstage and imagining her future. By Southern Realist Kathleen Deerie Carlton. Inspired by Dolly Parton all sales of this print to benefit Ukraine. You may donate directly to weareallukrainian.de endorsed by Ukrainian Heavy Weight Champ Wladimir Klitschko. Thank you for your support.
Ten Hahnemühle papers. / William Turner 190 Texture paper.
Elvis Calls me Kathy
Memphis TN 1957
It was nineteen fifty seven, My cousin Eileen and I were going to see our Aunt Louise, we called her Easa (Pronouced Ee - sa). Who was the sweetest person in the world. Mothers younger sister who was living in Memphis. She left Nashville and married a pro football player. A Former Green Bay Packers football Star and Heavy weight Boxer everyone called "Heavy"...who was working in construction. She invited us to spend the summer with her.I think I was 14, she was 11. Everybody was in love with Elvis, we’d go down to Hibbett's drug store and buy movie magazines. My sister Annette worked at Hibbett's and would charge everything so she would have nothing left by the end of the week. We were so excited! We loved Easa, our favorite aunt and we thought she was so beautiful, everybody said I looked like her. We told Esa we wanted to see Elvis and every mourning she would drop us off at Graceland. She would pull up in front of Elvis's Mansion and say "Have you seen him"? and we’d say "no". "Are you ready to come back home?"...we'd say "no". Then one day my cousin Eileen was like "I’m hungry, I want a milkshake". “Ok. let's get you a milkshake” I believe it was called Westgate, a little strip mall, I remember hearing "Honeycomb" by little Jimmie Rodgers playing on the jukebox. It wasn’t commercial back then. When we came back the people standing around said “ You just missed him. I wanted to pour that milkshake all over Eileen “YOU had to have a milkshake!!", we wore the same size shoe? I wore a peasant blouse and waists cinched, I was trying to look older. I liked Eileen’s shoes, she had baby doll shoes and I had more pointy shoes. She liked mine better so we swopped shoes. we met Elvis's cousin/guard "Smith" who told us you just missed him.
The next day, I decided we would take a lunch and eat there. No more chances. Tuna salad sandwiches, and we waited and waited. Finally the guard who had been eyeing us was gone, so I told Eileen, lets go through the field and go over the wall. I climbed up the wall and sat on top, I could see his mother's pink Cadillac. Eileen grabbed my other leg that was still on this side, she pleaded with me not to go. “don’t go, don’t go, we are going to get in trouble” "I’m scared, don’t do it” reluctantly, I came down. I think she thought I was going to get shot or worse. So we made our way back through the field, it was a big field got back to the front of Graceland and Uncle Smith came down and talked to us. “I’ve seen you girls come down here everyday". We said yes. He said “ If you want to see Elvis, you need to come back tonight” He doesn’t come out till nine. He’ll be here. He doesn’t come out in the day time. It was rare for him to be out in the day. Well, we’d have to get our aunt to bring us. Guard-well tell your aunt to bring ya'll here at “9 o’clock. he’ll be - here I promise”. Eileen and I looked at each other, we didn't say a word. Theres a fine line between knowing when to talk it up, and shut up. Aunt Esa says "I don’t know, are you sure you want to do this? Yes! yes!Well, huuun.( She always called us hun with a long sounding southern huuun). I don’t want to disappoint you, but I don’t think he’ll be there”. She knew she had already had a drink... or two? I was a bit nervous but determined. The drink also helped us to convince her to take us. We didn’t want her husband Heavy to know..... we begged her and she agreed. We pulled up to Graceland and there was nobody there....I think it was a 56 Oldsmobile. When we got out of the car, and we stood up at the gate, it was a brick wall and lo and behold, here he comes...in a little golf cart. ..we were just stunned....he came over to the fence/gate. I hung over and talked to us...He asked my name and Eileen's. We were on the brick wall to the left of the big gates. ... other people spotted him and showed up. Maybe 15 people? He cut up with us and everybody had questions...he had on black pants, black shirt, slim white belt. I think they were loafers with white and black. I don’t know why he would say this? “He would say “Don’t lie to me - don’t lie to me” I think he just like to hear himself say it. I would say he was there for a good hour. He left twice. "Just remember...don’t lie to me".we’d say no, don’t go...don’t go... he left in his golf cart.... go off and seconds later he would come back...” I fooled you”. We hung on to his every word. I could hardly reach him, I had to stand on my tip toes...our time alone with Elvis was short, but all in all maybe an hour. We got his autograph from a piece of paper I found on the ground, He just wrote “Elvis Presley”.... there were more kids there clamor- ing for him.....my moment with him was brief... I touched him. Eoisa, (Like Louisa without the Lou) was waiting right in the front. We got in the car and we didn’t get far down the parkway when a policeman pulled us over. Apparently aunt Eoisa had a cocktail while she waited on us. "Well, Officerrrr, I was just taking my little nieces to see Elviiissssss Presssss- ahh--(Dear god, I didn’t think she was ever going to get it out in her inebriated speech) press - sssa-ley". Officer- Now listen girls I'm going to let your Aunt go but you have to promise me your going straight home”. "Oh we promise we promise". Eoisa's husband Heavy Gilmer (who had played for the Green Bay Packers) drove cousin Eileen and I back to Nashville and Elvis went into the Army. We listened to Heavy talk about his football days, but we were thinking of Elvis. Oh, what would become of us? production rental fine art art gallery
About Us
Nashville Art Gallery
Founded in 1991 in Nashville Tennessee, we began at Nippers Corner and later expanded and moved to West End avenue location offering Original Art. Specializing in Wild Life, local, as well as introducing many artists that today are nationally recognized. Fine art art gallery production rental
Featured Artists
Kathleen Deerie Carlton
As a young girl in an all girls Catholic school in Nashville, Tennessee, the nuns encouraged Deerie’s obvious talent until she drew Elvis Presley’s on her classmates’ knees. When they wiggled their knees they had a chorus line of gyrating Elvis-es. For this display of vulgarity, Deerie was promptly expelled. Her creative works have caused a commotion ever since. fine art art gallery
Lisa McLaughlin
Lisa McLaughlin Bio:
Lisa McLaughlin is an Ohio native who studied fine art and graphic design, earning her a Bachelor of Arts from the University of Toledo. In 1989, she relocated to Nashville and began a career in the music business, which led to designing album covers and product for several of the musicians she works with.
Work and occasional pleasure trips have taken McLaughlin around the world, providing a great deal of the imagery and inspiration she draws from. Her favorite places are around the Mediterranean, where the sea and sun along with weathered architecture are of particular interest.
Lisa is a founding member of Contemporary Collective, a local group of abstract artists, as well as a member of the Nashville Artist Guild. art gallery
Peggy Snow
Peggy Snow is an artist and music-maker who pursues an open air method of painting the landscape, people, relics, ruins, and abandoned structures where they stand. The attention the middle Tennessee media has given her while she studied such architecture as the Father Ryan High School, the Union Station Train Shed, and the Jacksonian Apartment Building has won her a reputation for documenting, through art, the passing of historic architecture. The Tennessee State Museum purchased her 1991 Union Station Train Shed painting for its 20th century collection of art. Her first painting of the Jacksonian Apartments is owned by and displayed at Tin Angel Restaurant on West End Avenue in Nashville. Mayor Bill Purcell relayed to the artist in a 1999 letter, "I appreciate your efforts in documenting some of our city's lost, and endangered, treasures." As well as in the State Museum, her work is in numerous private collections. fine art art gallery